PROFESSIONAL THEATRE DESIGN EXPERIENCE 1965 - present;
2015 Asolo Repertory Theatre, Sarasota, Florida
Costume Design for The Matchmaker, directed by Peter Amster, scenery by Russell Metheney, lighting by Paul Miller, wig and makeup design by Michelle Hart
2014 Trinity Theatre, San Antonio, Texas
Costume Design for Our Country's Good, directed by Stacey Connelly, scenery by Sarah Martin, lighting by Tim Franci
2014 The Chicago Shakespeare Theatre, Chicago, Illinois
Costume Design for Gypsy, directed by Gary Griffin, scenery by Kevin Depinet, Lighting by Philip S. Rosenberg, wig and makeup design by Melissa Veal
2013 The Asolo Repertory Theatre, Sarasota, Florida
Costume Design for You Can't Take It With You, directed by Peter Amster, scenery by Jeffrey W. Dean, Lighting by Aaron Muhl
2012 The Asolo Repertory Theatre, Sarasota, Florida
Costume Design for Fanny Brice: America's Funny Girl, directed by David Bell, choreography by Katie Spelman, scenery by Brian Sidney Bembridge, lighting by Jesse Klug
2012 The Steppenwolf Theatre, Chicago, Illinois
Costume Design for The March, adapted and directed by Frank Galati, scenery by James Schuette, lighting by James Ingalls, sound by Josh Schmidt
2012 The Asolo Repertory Theatre, Sarasota, Florida
Costume Design for Fallen Angels, directed by Peter Amster, scenery by Robert Mark Morgan, lighting by Aaron Muhl
2011 Chicago Shakespeare Theatre, Chicago, Illinois
Costume Design for, Follies, directed by Gary Griffin, scenery by Kevin Depinet, lighting by Christine Binder, wig and makeup design by Melissa Veal
2011 The Asolo Repertory Theatre, Sarasota, Florida
Costume Design for Deathtrap, directed by Peter Amster, scenery by Michael Schweikardt, lighting by Aaron Muhl
2010 Lyric Opera of Chicago, Chicago, Illinois
Costume Design for Macbeth, conducted by Renato Palumbo, directed by Barbara Gaines, scenery by James Noone,
lighting by Robert Wierzel
2009 Asolo Theater, Sarasota Florida
Costume Design for The Perfume Shop, directed by Peter Amster, scenery by Jeffrey W. Dean, Lighting by Aaron Muhl
2009 Theater Center, Northwestern University, Evanston, Illinois
Costume Design for Arsenic and Old Lace, directed by Frank Galati, scenery by Collette Pollard, lighting by Sarah Hughey
2008 Royal George Theatre, Chicago, Illinois
Costume Design for Don't Dress For Dinner, directed by John Tillinger, scenery by James Noone, Lighting by Keith Parham
2008 Chicago Shakespeare Theatre, Chicago, Illinois
Costume Design for Amadeus, directed by Gary Griffin, scenery by Daniel Ostling, lighting by Philip Rosenberg
2008 AMTP at Northwestern University, Evanston, Illinois
Costume Design for the musical, Dangerous Beauty, directed by Sheryl Kaller, scenery by Collette Pollard, lighting by Michelle Habeck
2007 The Steppenwolf Theatre, Chicago, Illinois
Costume Design for The Crucible, directed by Anna D. Shapiro, scenery by Todd Rosenthal, lighting by Donald Holder
2006 Chicago Shakespeare Theatre, Chicago, Illinois and Swan Theatre, Stratford-Upon-Avon
Costume Design for Henry IV, parts 1 and 2, directed by Barbara Gaines, scenery by Neil Patel, lighting by Ken Billington
2005 American Girl Place, Chicago, Illinois and Los Angeles, California
Costume Design for the American Girl Revue , directed by Scott Davidson
2005 Chicago Shakespeare Theatre, Chicago, Illinois
Costume Design for Measure For Measure, directed by Barbara Gaines, scenery by Neil Patel, lighting by Chris Akerlind
2003 American Girl Place, New York, New York
Costume Design for the American Girl Revue , directed by Scott Davidson
2002 Chicago Shakespeare Theatre, Chicago, Illinois
Costume design for Love's Labor's Lost , directed by Barbara Gaines, scenery by Michael Phillipi
2001 Lyric Opera Center, Lyric Opera of Chicago, Chicago, Illinois
Costume design for Lovers and Friends, directed by David Petrarca, scenery by Todd Rosenthal, lighting by Christine Binder
2001 The Steppenwolf Theatre, Chicago, Illinois
Costume Design for David Copperfield , directed by Giles Havergall, scenery by Kate Edmunds, lighting by Peter Maradudin
2000 The Steppenwolf Theatre, Chicago, Illinois
Costume Design for Closer, directed by Abigail Deser, scenery by Neil Patel, lighting by James F. Ingalls
2000 The Mercury Theatre, Chicago, Illinois
Costume Design for The Last Night of Ballyhoo, directed by Robert E. Gaspar, scenery by, lighting by
1999 The Steppenwolf Theatre, Chicago, Illinois
Costume design for Hysteria, directed by John Malkovich, scenery by David Gropman, lighting by Paul Gallo
1999 Chicago Shakespeare Theatre, Chicago, Illinois
Costume design for Henry IV, parts 1 and 2, directed by Barbara Gaines, scenery by James Noone, lighting by Donald Holder
1998 American Girl Place, Chicago, Illinois
Costume design for the American Girl Revue, directed by Kim Rubinstein, scenery by Nephelli Antonaiddis, lighting by Geoff Rice
1998 Colorado Shakespeare Festival, Boulder, Colorado
Costume design for Love's Labor's Lost, directed by Ina Marlowe, scenery by William Forrester, lighting by
1998 The Steppenwolf Theatre, Chicago, Illinois & Barbican Center, London
Costume design for The Man Who Came To Dinner, directed by James Burrows, scenery by Michael Yeargan, lighting by Kevin Rigdon
1997 The Goodman Theatre, Chicago, Illinois
Costume design for As You Like It, directed by Michael Maggio, scenery by John Culbert, lighting by Kevin Rigdon
1997 The Chicago Opera Theatre, Chicago, Illinois
Costume design for Don Giovanni, directed by Charles Newall, scenery by Todd Rosenthal, lighting by
1997 The Court Theatre, Chicago, Illinois
Costume design for The Philadelphia Story, directed by Charles Newall, scenery by Todd Rosenthal, lighting by Shannon McKinney
1996 The Steppenwolf Theatre, Chicago, Illinois
Costume design for The Libertine, directed by Terry Johnson, scenery by Derek McClain, lighting by Kevin Rigdon
1995 Chicago Cultural Center, Chicago, Illinois
Costume design for Romance in Swingtime, choreography by Billy Siegenfeld, Lighting by Joseph Appelt, for Jump Rhythm Jazz Project
1994 The Goodman Theatre, Chicago, Illinois
Costume design for A Little Night Music , directed by Michael Maggio, scenery by John Lee Beatty, lighting by Michael Phillipi
1994 Harold Washington Library, Chicago, Illinois
Gus Giordano Dance Festival, Getting There , choreography by Billy Siegenfeld, Lighting by Joseph Appelt
1994 The Court Theatre, Chicago, Illinois
Costume design for The Importance of Being Earnest, directed by Nicholas Ruddall, scenery by Linda Buchanan, lighting by Rita Pietraszek
1994 The Goodman Theatre, Chicago, Illinois
Costume design for King Richard II, directed by David Petrarca, scenery by Russell Metheny, lighting by James F. Ingalls
1993 Indiana Repertory Theatre, Indianapolis, Indiana
Costume design for She Loves Me, directed by Peter Amster, scenery by William Bloodgood, lighting by William Lincoln
1993 Skylight Opera Theatre, Milwaukee, Wisconsin
Costume design for The Jewel Box , directed by Chas Rader-Scheiber, scenery by Nicholas Lundy, lighting by Jennifer Norris
1993 The Steppenwolf Theatre, Chicago, Illinois
Costume designer for As You Like It , directed by Frank Galati, scenery by Kevin Rigdon, lighting by Robert Christen, production not realized.
1992 The Dallas Opera, Dallas
Costume designer for The Voyage of Edgar Allan Poe, remount of the l991 Lyric Opera production.
1991 The Goodman Theatre, Chicago, Illinois
Costume designer for The Visit , directed by David Petrarca, scenery by Paul Steinberg, lighting by James F. Ingalls.
1991 The Missouri Repertory Theatre, Kansas City, Missouri.
Costume designer for King Richard III , directed by George Keathley, scenery by John Ezell
1990 The Lyric Opera of Chicago, Chicago, Illinois
Costume designer for The Voyage of Edgar Allen Poe , directed by Frank Galati, scenery by John Conklin, lighting by Duane Schuler.
1990 The Goodman Theatre, Chicago, Illinois
Costume designer for The Winter's Tale , directed by Frank Galati, scenery by John Conklin, lighting by Jennifer Tipton.
1990 The Missouri Repertory Theatre, Kansas City, Missouri
Costume designer for Born Yesterday, directed by George Keathley.
1989 The Missouri Repertory Theatre, Kansas City, Missouri
Costume designer for The Tempest , directed by Dennis Rosa, scenery by John Conklin.
1989 Lyric Opera Center for American Artists, Chicago, Illinois
Costume designer for The Fan , a world premiere by Lee Goldstein, directed by Charles Kondec.
1988 Northlight Theatre, Evanston, Illinois
Costume designer for Nothing Sacred , directed by David Petrarca, scenery by Michael Phillipi, lighting by Robert Christen.
1988 O'Rourke Center for Performing Arts, Chicago, Illinois
Costume designer for A Final Evening with The Illuminati , produced by Cullen, Heneghan and Platt, directed by Rebecca Wackler, scenery by Jeffrey Bauer, lighting by Rita Pietraszek.
1987 Northlight Theatre, Evanston, Illinois
Costume designer for The Perfect Party , directed by Nick Faust.
1986 The Missouri Repertory Theatre, Kansas City, Missouri
Costume designer for Othello , directed by Peter Bennett.
1986 Lyric Opera Center for American Artists, Chicago, Illinois
Costume designer for The Guilt Of Lillian Sloan , a world premiere by William Neil, directed by Frank Galati, scenery and lighting by John Williams and Diane Ferry Williams.
1985 The Goodman Theatre, Chicago, Illinois
Costume designer for The Government Inspector , directed by Frank Galati, scenery by Michael Merritt, lighting by Kevin Rigdon.
1984 Victory Gardens Theatre, Chicago, Illinois
Costume designer for Eminent Domain , directed by Dennis Zacek
1982 Apollo Theatre, Chicago, Illinois
Costume designer for Tintypes , conceived and directed by Mary Kyte and Gary Pearl, scenery by David Emmons.
1982 Body Politic Theatre, Chicago, Illinois
Costume designer for The Petrified Forest , directed by James O'Reilly, scenery by Tony Norrenbrock, lighting by Rita Pietraszek.
1982 St. Nicholas Theatre, Chicago, Illinois
Costume designer for Anna Christie, Scenery by Joseph Nieminski, production not realized.
1981 The Goodman Theatre, Chicago. Illinois
Costume designer for Plenty , directed by Gregory Mosher, scenery by Margery Kellogg, lighting by Jennifer Tipton.
1980 The Guthrie Theatre, Minneapolis, Minnesota
Costume designer for Desire Under The Elms , directed by George Keathley, scenery by James Guenther
1979 The Court Theatre, Chicago, Illinois
Costume designer for Hamlet and Rosencrantz And Guildenstern Are Dead , directed by Robert Benedetti, scenery by Linda Buchanan, lighting by Robert Shook.
1969-1978 Resident Costume designer for the Goodman Theatre, Chicago, Illinois:
Much Ado About Nothing , directed by William Woodman.
The Seagull , directed by Gregory Mosher.
Don Juan , directed by William Woodman.
A Long Day's Journey Into Night , directed by George Keathley.
The Twentieth Century , directed by William Woodman.
The Devil's Disciple , directed by William Woodman.
The Cherry Orchard , directed by Bryan Murray.
Henry IV, Parts I and II , directed by William Woodman, scenery and lighting designed by Peter Wexler.
In The Matter Of J. Robert Oppenheimer , directed by Gene Lesser.
The Ruling Class , directed by Patrick Henry.
The Royal Family , directed by Douglas Seale.
Assassination 1865 , written and directed by Stuart Vaughan.
Poor Bitos , directed by Douglas Campbell.
The Threepenny Opera , directed by Douglas Seale.
Heartbreak House , directed by Douglas Seale.
You Can't Take It With You , directed by Edward Payson Call.
1976 Lyric Opera School, Lyric Opera of Chicago, Chicago, Illinois
Costume designer for The Rake's Progress , staring Kathleen Kuhlmann and Frank Little.
1974 Arlington Park Theatre, Arlington Park, Illinois
Costume designer for The Return Of The Native, by Thomas Hardy, directed by Patrick Henry.
1971-1972 Ravinia Summer Festival, Highland Park, Illinois
Costume designer for:
Look Homeward Angel , directed by George Keathley.
Lysistrata , directed by William Francisco.
1967, 1968, American Theatre Institute, Aspen, Colorado
1975 Costumes designed for productions of:
The Imaginary Invalid , directed by Frank Wersching.
The Emperor's Nightengale , directed by Frank Wicks.
Land Of The Dragon , directed by Moses Goldberg
The Fantastics , directed by Joseph Brockett.
1965 The Turnau Opera Company, Woodstock, New York
Costume designer for productions of Abstract and The Tide, directed by Adelaide Bishop.
COSTUME DESIGN AWARDS:
2012 Joseph Jefferson Award, Best Costume Design for Follies
2001 Michael Merritt Award for Excellence in Design and Collaboration
1999 Joseph Jefferson Award, Best Costume Design for Henry IV, parts 1 and 2
1994 Joseph Jefferson Award, Best Costume Design for A Little Night Music
1986 Joseph Jefferson Award, Best Costume Design for The Government Inspector